In "Transfiguration," rather than painting a copy of a begonia maculata, Biesheuvel challenged herself to create something visually stimulating beyond likeness. She focuses on shapes, textures, color, and mood while letting go and being open to the unpredictable. At a certain point, the painting made her feel so desperate that it was thrown onto her balcony and left in the rain for two weeks. Eventually, she picked it up, suddenly seeing its potential, and found the inspiration to finish it. The result is a plant that seems to reside in several dimensions and a constant state of flux.

When the sun goes down, the heat in Singapore gives way to a cooler night breeze and buzz of nightlife. People go drinking and shopping, and the streets get crowded and festive. But sometimes, construction work continues. Traveling home at night, Biesheuvel was captivated by this scene of a lonely figure sitting by a hole in the road.
Although the painting has been interpreted in various ways by others, for Biesheuvel, it is about finding/creating your place in the world. She thinks many artists can relate to this theme. As Biesheuvel has been living in different countries, finding her home has become a central topic in her life.